Mon 13 Oct 2008
Talk about a competitive event!
Sunday I went to the district tryouts for The Metropolitan Opera in Portland. Three are selected to go from here to the semi’s to the finals on the stage at the actual Met itself.
16 young singers in competition between the ages of 23 and 29, all in training which includes in addition to voice and musicology, getting your tonsils around French, German, and Italian. In addition, two also could sing in Russian and Czech. No contralto’s, still too young I guess. Sopranos, tenors, a baritone and a basso.
Now there was no white line painted on the stage as in “A Chorus Line” and no one stepped forward to sing “Tits and Ass”, “I can do that”, or “I really need this job”.
So here’s the deal: each singer has five pieces prepared. The first sung is of their choosing. Then the three judges choose any one of the next four, pretty much depending on what the first aria was. If it was something with a strong vocal and dramatic line from la Boheme, the judges would want to hear something in an entirely different style from Handel or Donnezetti.
And speaking of composers. The big three for choices were Mozart, Puccini, and Handel , Modern composers were represented including Douglas Moore with ‘The Ballad of Baby Doe’ and John Adams, with a knock out performance of Madame Mao’s song from ‘Nixon in China’.
The field of sixteen performed with various degrees of skill and professionalism. I kept my own score card and got two out of three. I see my problem is being a sucker for that old presence thing (thank you Dave Bryant and Nikos P). The three winners to go on were all members of the Portland Opera’s Intern program. The interns are not from Portand. They are selected from national applications and auditions. And the judges weren’t from Portland either. They were from San Jose, Santa Fe, and Utah Opera.
If you live anywhere near one of these competitions, go to see it! The aplomb and skill of these young people is reassuring to see. And, to think they still have years of training ahead of them.


October 13th, 2008 at 8:20 pm
Bravo on adjudicating! Who are the two who made it to the semi-finals & what did they sing?
When are the finals & will you be going to the MET?
October 13th, 2008 at 8:59 pm
Thanks for asking! I don’t know how these three will fare, but the winners were:
Sharin Apostolou, Soprano, 26
who sang ‘No word from Tom’ from Stravinsky’s The Rakes Progress and ‘Mio caro bene’ from Handel’s Rodalinda. By the way she was covering Rodalinda and filled in one evening! The opera house in Portand (about 1000 seats too big) has a capacity audience of 3000 and she filled it with her voice.
Jonathan Kimple, Bass-baritone, 27
singing ‘Aperite un po’ from Mozart’s La Nozze and ‘Il lacerate spirit’o from Verdi’s Simon Boccanegra.
Jose Rubin, baritone, 25
singing Poppageno’s song from Flute. (I saw a very imaginative production of Flute two years ago in Prague at the wonderful small house where Don G premiered. Then saw The Don the next year in a very dark suit and tie (me not him) at the last performance for the Prague ‘Year of Mozart). He finished with ‘per me giunto’ from Don Carlo by Verdi.
I wanted to see the home team play!
‘It ain’t over’ etc and ‘Aida is where the tenor and the soprano want to make love but are prevented by the baritone and the mezzo’.
And I listened when Milton Cross was the Voice of the Metropolitan for Texaco!
October 13th, 2008 at 11:57 pm
Don’t you think a soprano who can fill a 3000 seat hall would make it to the finals?
Milton Cross! I feel as if I heard him on the Texaco broadcasts, but I checked his bio. I probably just recognize the name & only heard him announce the opera as background sound in a movie.
But, Texaco– Does that company still exist?!
October 15th, 2008 at 7:48 pm
Texaco owned by Chevron since the 90’s. Some products and stations in US and Canada. The first thing to go in the acquisition was Texaco’s sponsorship of the Opera with Milton Cross. This was one of the longest sponsorships in ad history - begun in 1940.
Texaco also sponsored Texaco Star Theater for the broader audience on radio with Ed Wynn and Fred Allen. Moved to TV and was the home of Milton (again Milton) Berle. Also placed ads on Jack Benny.
http://www.youtube.com/watch?v=KFUEQiObfT8
Classic singing commercials:
You can trust your car to the man who wears the star,
The big red Texaco star.
and this one which actually seems as long as an opera in the land of the :10 and :20
Oh, we’re the men of Texaco
We work from Maine to Mexico
There’s nothing like this Texaco of ours!
Our show is very powerful
We’ll wow you with an hour full
Of howls from a shower full of stars.
We’re the merry Texaco men
Tonight we may be showmen
Tomorrow we’ll be servicing your cars!
We wipe your pipe
We pump your gas
We jack your back
We scrub your glass
So join the ranks of those who know
And fill your tanks with Texaco
Sky Chief, fill up with Sky Chief
You’ll find that Texaco’s the finest friend your car has ever had
…And now, ladies and gentlemen… America’s number one television star… MILTON BERLE!…”